This short film was made for TV by Eric Rohmer, it deals with the urban landscape.

This short film was made for TV by Eric Rohmer, it deals with the urban landscape.

关于伊朗新浪潮电影一代的纪录片，法国ARTE出品DVD。 　　Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.

关于伊朗新浪潮电影一代的纪录片，法国ARTE出品DVD。 　　Today Iranian cinema is one of the most highly regarded national cinemas in the world, regularly winning festival awards and critical acclaim for films which combine remarkable artistry and social relevance. Iran: A Cinematographic Revolution traces the development of this film industry, which has always been closely intertwined with the country's tumultuous political history, from the decades-long reign of Reza Shah Pahlevi and his son, the rise of Khomeini and the birth of the Islamic Republic, the seizure by militants of the U.S. Embassy in Tehran, and the devastating war with Iraq.

作为全国唯一兼有平原、高山、高原、海滨的全地貌省份，河北文化天然具有复杂性与多元性，兼有农耕文化与游牧文化，内陆文化与海洋文化的二重性，这是河北区别于其他地域文化的鲜明特征。在与周边不同地域文化的互动中，河北形成自身兼容并包、多元杂糅的区域文化特征，成为中国古代最为开放与最具包容性的地区之一。 　　《大河之北》第四季聚焦河北博大厚重的历史文化，讲述河北在多元开放的地理环境下形成的实事求是的学风、重信尚义的民俗民风、慷慨悲歌的文人精神、丰富多彩的艺术文化等，以及河北为人类文明进步、国家文化建设所做出的贡献。本片贯通古今，多角度认知，将史实与现实有机结合，从而增强片子的现实意义和时代价值。 　　《大河之北》第四季“文华燕赵”将于正月初六至十一（2月15日一20日），在河北卫视每晚9点30播出，次日早8点重播，冀时、lPTV、腾讯、B站同步上线。 　　第1集：先祖印记 　　第2集：国宝重器 　　第3集：古建千年 　　第4集：匠心制器 　　第5集：乐舞春秋 　　第6集：慷慨悲歌 　　【制作信息】 　　总策划／出品人：武鸿儒 　　总监制：李社军 肖钧 　　总编审：张 洲 冀国锋 　　监制：许伟中 王东 孙卓理 　　学术顾问：吕苏生 郑一民 罗向军 熊慧彪 　　张文瑞 孙荣芬 王法岗 刘忠伟 　　文案编审：朱新 许伟中 　　总导演：朱新 　　执行总导演／总撰稿：张晓雯 　　执行总导演／总摄像：刘振江 　　导 演：冬清 刘亚楠 谭杰 辛七天 王润沛 刘国旭 　　外联统筹：张晓雯 　　资料统筹：孙卓理 　　制片：解伟 　　制片人：王 东 　　解说：李立宏

Every time our annual international film fest hits town, I scan all the offerings, with special attention to Iranian productions. I have seen so many fascinating films from a country that, in recent years, has banned Hollywood and other films foreign to them, and yet their filmmakers, despite having to follow strict guidelines and risking censorship at every turn, produce some of the finest films in world cinema. 　　This documentary features interviews with several Iranian filmmakers, plus clips from a number of their best films. Among various aspects of Iranian film-making, they talk about how their reflective films differ from the Hollywood action variety, although there is such a role for Iranian film as well. What perhaps is really remarkable is how freely these producer/directors talk in a critical way about the censorship exercised in their country. The clever ways they get around it actually appear to challenge and enhance their creativity (as Duke Ellington once said, in describing how he had to compose his music to fit the talents and limitations of his band members, "It can be good to have limits"). Unusual scenarios between husbands and wives get around the rule that men and women, even when married, can't touch. Children are sometimes used to state in an allegorical or analogous fashion what could not be presented by adult characters. And the role of women is wondrously portrayed in these productions from a country that severely limits women's roles.